26 July 2021
2021 Uscita dal porto 90x70cm olio su tela

Monday 26th July 2021 – Exit from the port

In this painting the most beautiful thing is the sea, which has a crazy depth given by the chromatic richness of the greens and blues. The structure of the two lighthouses in the port of Rimini is one of the views I prefer the most, because the distance between the two lighthouses is like a continuous dialogue between two people, and in the middle passes the whole life, made of lights, shadows, winds and above all the desire to set […]
8 February 2021
2020 Faro bianco 20x20cm olio su tela

Monday 8th February 2021 – The White Lighthouse

The white lighthouse is one of the most significant symbols of the port of Rimini. This painting well embodies the Rimini that I feel inside when it is winter, the one that I like the most! The preparation of the background of the canvas helped me a lot, a base with neutral colors like gray and earths, which then allowed me with a few touches of a palette knife and brush to bring out the structure of the port. Technique […]
16 March 2020
2020-Darsena-50x100cm-olio-su-tela

Monday 16th March 2020 – Wet Dock

In these weeks I’m painting with the desire to give you something that can illuminate these strange days, where everything has stopped for the coronavirus. I paint what most excites me, and starting from this feeling I launched myself into this oil on canvas. I depicted the two lighthouses of the Rimini dock which have a precise meaning for me, that is the dialogue between the old and the new lighthouse, which greet each other as they wave the boats […]
10 February 2020
2020 Uscita dal porto 12 carte A4

Monday 10th February 2020 – Out from the port

For painting these 12 papers, I started from one of my paintings “Exit from the port” printed on Rembrandt paper of 300 grams in A4 format. It is a variation on the same theme with the inclusion of acrylic and oil colors with the brush. Seriality is a way of working that has allowed me to enrich the same theme with many keys of different readings, I was really interested in making my coloristic imagery emerge in a single image. […]